Have a Nice Life the Unnatural World Album Art

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an art history class or spent fourth dimension in a fine arts museum, chances are you lot know a lot well-nigh the men who "divers" their mediums. Equally with other subjects, most of what we acquire about fine art history today even so centers on white men from Europe and, afterwards, the Us. In reality, at that place are so many more artists of all genders to learn from and capeesh.

Hither, nosotros're specifically taking a await at just some of the women who accept had lasting impacts on their art forms. From some of the art world'south most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a paw — in changing the world of fine fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. After studying the work of painters similar Cézanne and Monet while away, she returned to the U.s., condign all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps almost well known for her series of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of diverse generic female person film characters, amidst them, ingénue, working girl, vamp, and solitary housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A withal from the operation Cut Piece, 1964, and a picture show of the installation One-half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Metropolis in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You lot might first think of Yoko Ono as a musician and activist, but she'south besides an achieved performance and conceptual artist. Ono was considered a pioneer in the functioning art move, earning the nickname the "High Priestess of the Happening".

I of her nigh revered works, Cutting Piece, was a performance she commencement staged in Japan; Ono sat on stage in a nice suit and placed scissors in forepart of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do information technology, I start to choke."

Betye Saar

Betye Saar'southward Black Daughter's Window, 1969 (full and item). Photos Courtesy: Museum of Modernistic Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking constituent changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If yous can get the viewer to await at a piece of work of art, so you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to discover someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo oftentimes used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, merely she's also known for her hyper-existent sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (Fifty) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale peel tones — every bit she was the first Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Yellowish in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just peradventure, the skyscrapers of New York City. In the 1920s, she was the get-go woman painter to gain the respect of the New York art globe, all by painting in her unique mode.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'due south biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Urban center. She used her work to question gild, identity, and racial politics by enervating the audience to confront truths about themselves. She ofttimes challenged people on the streets of New York to guess her race, socio-economic form, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front end of a photograph in her exhibition Our Firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works ofttimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action as meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Odor Y'all On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'due south art addresses identity and history — and, in particular, houselessness and the voicelessness of the Showtime Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous Northward American civilisation. In 2005, she was the showtime Indigenous woman to stand for Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation fine art and sculptures — like the spider higher up — which were inspired past her ain experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'south seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art motility. Every bit exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and earlier. While at California State Academy in Fresno, Chicago founded the kickoff feminist art program in the United states.

Augusta Barbarous

Augusta Savage with i of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In add-on to creating breathtaking sculptures, oftentimes of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Merely look up her most famous piece of work, Interior Scroll, and you'll see what we mean.) She used her torso to examine women'south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went past her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Notwithstanding, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's concluding public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Metropolis. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — simply in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global problems such equally racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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